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Level Three: Number Harmonics SPIRITUAL LAW of THREE’S: Session Eight Practical Application: WORK SHEET 2 Debrief: SO FAR: We have taken a BIRTHDATE, we have resolved this to a MATRIX PATTERN, we have resolved this to a KEY NOTE, and from this Key Note we can now resolve the aspects in the Matrix Pattern to a series of Trines, which we can now relate to Musical Notes. That’s it… See how the Notes have a NUMBER in Roman Numerals?
These are the Numbers we relate to the pattern of the Birthdate. EG: The Trine of 3.4.8 = III, IV, VIII (Which is really back to "I") = E, F, C (With the Eighth being the First, which is C. ) E, F and C are the Vacant Numbers 3, 4 and 8 represented as NOTES in this chart for the 12 May 1969. Now we simply continue, and apply ALL the TRINES we have discovered, convert these to NOTES and PLAY them. The NINTH note is just further up the scale, and is really the SECOND note one octave higher. We are still using the Principle of the Magic Square to understand this, however we use the simplified form that Pythagoras derived from the Ancient Patterns, and we convert this to a HARMONIC Pattern. This Pattern can vary according to the MODE, or MOOD, affecting the person whose chart we are drawing. There is a real art in determining the correct modality, but for the present we will work with the simple Major Scale in resolving the pattern required for this person. Taking this to the practical level of playing the Harmonic Progressions for an individual is the obvious next step. Once you start getting this right, you can realise a very good income for yourself. You don't even have to be a musician, but it sure helps...
PRACTICAL APPLICATION EXERCISE: Harmonic Progression for the Date 12 May 1967... FIRST:
We Take the Matrix Map
This is the Matrix for the 12 . 5. 1967 This resolves to the Triangulated Numbers: 2.5.6 / 2.5.7 / 2.5.9 / 2.6.7 / 2.6.9 / 2.7.9 / 5.6.7 / 5.6.9 / 5.7.9 / 6.7.9 With the Vacant Numbers: 3.4. 8 Then we take the Harmonic Scale and resolve the SCALE (C Major): I = C, II = D, III = E, IV = F, V = G, VI = A, VII = B ...
NOW: We take the Triangulated Numbers and convert them to Notes: 2.5.6 = D.G.A 2.5.7 = D.G.B 2.5.9 = D.G.D 2.6.7 = D.G.B 2.6.9 = D.A.D 2.7.9 = D.B.D 5.6.7 = G.A.B 5.6.9 = G.A.D 5.7.9 = G.B.D 6.7.9 = A.B.D 3.4.8 = E.F.C (Vacant Trine)
AND AT LAST: We play these in simple ordered progressions That is it… It is THAT simple. This is the entire basis of determining the FIRST LEVEL of resolving a Harmonic Chart using this simple Harmonic Map and the Spiritual Law of Three’s. The next stage involves the allowance for the Modal Shifts that occur with the shifting MOODS of the individual, but in simple terms, we cover most of these by simply playing the Flattened 3rd, 6th and 7th in the above combinations (These are the Major/Minor Variations) If you have survived all of this, and feel you would like to take a test and become qualified on this Initial Stage of Number Harmonics, write to me:
If you want to see how the study of Harmonics can become a paying gig for yourself write to me personally: info@pythagorus.org.uk
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